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4 String Pickups
5 String Pickups
6, 7 & 8 String Pickups
100's of Bass Pickups In Stock and Ready to Ship
Filter Preamps
Gain control of your tone with a preamp
EICH Amps
JAD FREER Amps
Genzler Bass Pedals
4 String Pickups
5 String Pickups
6, 7 & 8 String Pickups
100's of Bass Pickups In Stock and Ready to Ship
Filter Preamps
Gain control of your tone with a preamp
Genzler Bass Pedals
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EICH Amps
JAD FREER Amps
11402-56
ONE OF DUNCAN'S MOST POPULAR BASS PICKUP SETS
HIGH, HIGH OUTPUT - AMONG THE LOUDEST WE HAVE HEARD
PUNCHY, SNAPPY, AGGRESSIVE TONE THAT WILL CUT THROUGH THE MIX
DIRECT REPLACEMENT FOR MOST JAZZ BASSES®
FREE SHIPPING IN THE USA
EXPERT TECHNICAL SUPPORT
IN STOCK MEANS IN STOCK
One of Seymour Duncan’s most popular bass models, the Quarter Pound for Jazz Bass® was designed to take your bass tone to new heights. This neck and bridge pickup set has it all: hot output, great attack and massive attitude. The 1/4” diameter pole pieces and hot coil windings deliver a full, even response with great sustain and complexity that are at home in any genre of music. The neck pickup is RW/RP (reverse wind reverse polarity) for hum cancellation when both pickups are used together. These pickups are a drop-in replacement for any American Standard Jazz Bass®.
Hand built in Santa Barbara, CA the Quarter Pound for Jazz Bass® uses Alnico 5 rod magnets and Forbon flatwork, and is wax potted for squeal-free operation. Comes with black cover.
Size (Neck):
3.63” [92.2mm] Long
.74” [18.8mm] Wide
Size (Bridge):
3.73” [94.74mm] Long
.74” [18.8mm] Wide
Seymour Duncan SJB-3 Wiring Diagram
OUTPUT
The Duncan Quarter Pounder pickups are aggressive. The mids have plenty of heft that can help a bass feel more ‘forward’ in the mid of a band. While the low and top end are present, the mid range tend to power the overall vibe tonally.
Put on a good set of headphones and check out the audio demo below to hear it for yourself.
As always, keep in mind that these are generalizations. Your experience could be different depending on many factors.
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