Bartolini

b‐axis J44J‐L/S

Bartolini b-axis J44J-L/S 4 String Jazz Bass® Pickups

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puzzle bullet iconDROP-IN J BASS® UPGRADE

configuration bullet iconHUM-CANCELLING DESIGN

data science bullet iconBARTOLINI'S NEWEST DESIGN

good bullet iconFULL RANGE WITH PLENTY OF PUNCH

empty box iconFREE SHIPPING IN THE USA
configuration iconEXPERT TECHNICAL SUPPORT
checklist iconIN STOCK MEANS IN STOCK

DESCRIPTION

b-axis jazz pickups series feature a new and unique fully encapsulated Alnico V exposed pole design, and yet they are still fully shielded like all our enclosed pickups. The cable is shielded as well. b-axis Jazz Bass® pickups are dual-inline hum-cancelling design for use in professional venues and studios. They are sweat-proof and won’t make nasty noises if you touch them.

b-axis pickups are super punchy and bright, but also warm. They have outstanding articulation, attack, and harmonic response. Musicians who play jazz, rock, country, gospel, and hip-hop are already finding their voice in b-axis pickups.

Available in balanced bridge and neck versions.

Artists: Joewaun Scott, L'dia on Bass, Eric "EQ" Young, Kenney D James, Nenad Vasilic, Cory Baker, Nicole Row




DIMENSIONS

Size (Neck):
3.6" [91.4mm] Long
0.73" [18.5mm] Wide



Size (Bridge):
3.73" [94.7mm] Long
0.73" [18.5mm] Wide

Customer Reviews

Based on 1 review
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M
Mario Daley
New Tone New Life

Just installed the Bartolini J axis pickups in my 1979 jazz bass. I wired them to and Audere preamp. This bass sounds like a boutique instrument. The tone and flexibility is transparent and incredible. Best upgrade ever. Thanks Fat Bass Tone you saved that bass from the parts bin.

Customer Reviews

Based on 1 review
100%
(1)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
M
Mario Daley
New Tone New Life

Just installed the Bartolini J axis pickups in my 1979 jazz bass. I wired them to and Audere preamp. This bass sounds like a boutique instrument. The tone and flexibility is transparent and incredible. Best upgrade ever. Thanks Fat Bass Tone you saved that bass from the parts bin.

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